Confessions of an art student: Part 4

Recently I was contemplating the distinction between origin and originality. I was reading Re-writing the Self by Mark Freeman at the time I was reviewing contemporary artist research for Major Project and how they influenced my own work. I was horrified. What I took to be my own work, the product of commitment to a process with no predetermined fixed point or predicted outcome, resulted in pieces that were strikingly similar to those out there in the world.

New textiles tutor: Introducing Pere Bruach

Through my practice I have used techniques and processes that are specific to certain areas of design and tried to apply them into other fields to open new possibilities, most times these “experiments” result into mistakes, and some other times into “happy mistakes” that helps you to progress on your work, I find this way of working very creative and satisfactory.

How do writers use the idea of memory to help tell stories?

Are there any novels or films that don’t rely on the premise of ‘I remember’? The idea of memory is more embedded in art than I think we credit. The fact that a story needs to be told is central as to why the reader – or viewer is being offered in the first place. We have all heard stories that began with the winsome phrase ‘Once upon a time’ when we were children.