Leading on from our last article on study tips, we tackle the next item in our mini-series: organisation and preparation.
The main problem with using magic (with a few literary exceptions) is that it has to have rules, otherwise every problem can be solved with no effort.
OCA’s Kimberley Foster has a busy June ahead of her.
Join OCA tutor Derek Trillo on the 23 June to visit an exhibition depicting very different representations of ‘The North’ in Manchester’s Central Library.
Join drawing and painting tutor Bryan Eccleshall on Saturday 16 June in Liverpool to see the work of Austrian Egon Schiele alongside the work of American Francesca Woodman
OCA tutor Andrew Conroy will be leading the OCA-North group’s first get together on the 2 June in Leeds at the Old Red Bus Station.
“We prepare a face to meet the faces that we meet.”
This week it’s Mental Health Awareness week, and the focus for 2018 is on stress.
This hangout is open to all students at all levels who wish to actively engage with their peers in the discussion of various topics/ questions and a place to seek feedback on work in progress whether in its infancy or almost complete. The experience adds an additional layer of learning, feedback and reflective practice, a valuable opportunity to gain insight into other students thoughts, ideas and working practice.
As an educator it is always delightful to sit back and absorb the ideas and knowledge of others. A few weeks ago I had the pleasure of attending the Textile and Place Conference co organised by Manchester School of Art and the Whitworth Gallery. It proved to be two days of textile nourishment spending time with other textile types.
I often use the analogy of the ‘scale’ of a character in teaching. In this metaphor, a good storyteller penetrates the layers of a character right from the very top of their scale (that is in terms of their surface features, or what we would see about this character if we first meet them) right down to the bottom of their scale (which is their ‘core’).
“But the idea of how or why women feel invisible interests me. Is it driven by consumerism that glorifies youth and perfection? Is it that, with age, we are less sexually attractive? Or is it that one really does become invisible with age? I wanted to try to represent this invisibility.”