Neglected Visionary, American Provocateur. Written for Black History Month 2018
The first three posts covered the basics of the programme through to working with large, complicated scores. I’m going to continue the series with several posts dealing with advanced techniques and non-standard notation. This post deals with issues of spacing in complex scores.
In this third post I’ll be moving on to music for large ensembles and orchestras, and using Sibelius to extract parts for players. I’ll be covering some advanced techniques and Sibelius-specific workarounds.
In the first blog I covered the fundamentals: what you need to include in a score and how to make it look clear and easily readable. In this second post I will explore the presentation of more complicated music, including larger ensembles and more complex rhythmic notation.
In this series of blog posts I’m going to take a look at a tool which millions of music students and professionals use every day: Sibelius.
While “spellbinding”, “astonishing” and “glorious” are not words common in reviews of 21st century classical music, Hans Abrahamson’s Let Me Tell You – which has garnered a slew of ecstatic praise since its premiere in 2013 – has commanded them all. Despite over twenty performances across Europe – a fairly big deal for a new piece of concert music – the work only arrived in the UK in August of 2016, when it was performed at the Proms by the City of Birmingham Symphony Orchestra, under the baton of its new chief conductor, Mirga Gražinytė-Tyla.
Join OCA tutor Desmond Clarke on the 18 November to see the Chimera Ensemble in concert at the University of York.