The recent publication of a book by the White House photographer, Pete Souza,and the concurrence of two exhibitions at the Royal Academy and the Queen’s Gallery have made me wonder what President Obama’s resident court photographer might have taught the Stuarts.
This exhibition looks at the visual language of Soviet posters, prints and photographs from the October Revolution to the death of Stalin. It shows how in the first ten years Soviet designers created a revolutionary narrative that linked the events of 1917 to turning points such as the storming of the Bastille and Delacroix’s image of Liberty Leading the People. The exhibition is particularly relevant to students studying the OCA Visual Studies course.
I have always thought of Modigliani as the sort of artist that can get you into trouble. Remembering the raised eyebrows with which my tutors greeted my proposal that I write my first long essay as a student about the relationship between his sculptures and his nudes, I was half-expecting there to be a warning sign at the entrance of his exhibition at Tate Modern. Instead the visitor is met by four galleries of sensational portraits – not to mention a film about his life in Paris and a queue for a virtual tour of his studio – before being treated to even a glimpse of an ankle. Join Gerald on the 3 February.
The razzmatazz of celebrity endorsements that marked the last days of Hillary Clinton’s election campaign has led me to wonder this morning which performer Donald Trump will now appoint to sing at his inauguration in December. Whoever it is, their performance is unlikely to surpass Marilyn Monroe’s notoriously suggestive rendition of Happy Birthday, which she sang to her lover Jack Kennedy in 1962.
At the opening of the new extension to Tate Modern there was a small notice next to one of the exhibits. ‘Due to expected visitor numbers’, it read, ‘the macaws have temporarily been returned to their owners.’ Given the quality of the other works on show, it is unlikely that this caused much disappointment to visitors…
Last week I took a couple of days off to walk down the Thames from Windsor Castle to Hampton Court in order to visit the palaces. My excuse was that I had been working over the previous few weekends and that I wanted to brush up on my knowledge of Tudor and Stuart paintings while getting a bit of spring sunshine.