Author: Guy Mankowski

Developing your voice: Part 2

In the second part of this blog I will be discussing how the ‘voice’ of the prose can be put across using the third person. You might think that the third person has such a sense of distance from the character that putting across a ‘voice’ in the text will be hard – even impossible. Not so! It just takes some craft.

Developing your voice. Part 1

The idea of developing ‘your voice’ is not just an idea limited to X Factor. Or, for that matter, Britain’s Got Talent. It is a term publishers and agents often use when critiquing new writers. How strong is their ‘voice’? But what is meant by this term, and how can we develop our voice, as a writer, to make it stronger?

Point of view- is it okay to ‘head hop’?

I’m not quite sure why this is an issue that has only been coming up recently with students of mine. Perhaps it is because some are now later on in their assignments, and are challenging themselves with new, technical ways to tell a story. But more and more of my students who now write in the third person have been wondering about Point of View.

How do writers use the idea of memory to help tell stories?

Are there any novels or films that don’t rely on the premise of ‘I remember’? The idea of memory is more embedded in art than I think we credit. The fact that a story needs to be told is central as to why the reader – or viewer is being offered in the first place. We have all heard stories that began with the winsome phrase ‘Once upon a time’ when we were children.

Making the most of your narrative, part 2.

In the first part of this blog I looked at the smoothness of the narrative and how peaks and lulls in the emotional intensity of the story seem to engage the reader. But there are clearly many aspects of the narrative that can allow the author to make the most of it. Here I want to turn attention onto a couple of these aspects. Namely the plot and the characters.

Making the most of your narrative

The program correctly predicted the top two bestselling titles of all time, suggesting they had features that it would benefit writers to know about. If the analysis of the program is at times difficult to – ahem – decode it doesn’t mean there aren’t a few tips that us writers can learn from the bestsellers. In this blog I’ll focus upon how we can make the most of our narrative, and The Bestseller Code has some interesting tips on the subject.