Wherever people come from or wherever people go, people’s culture and therefore identity is in a constant evolution, a change that looks back and forward in history. For this reason, appearance plays a very important role in that, clothing establishes a way of exteriorising our personality, our own identity and thereby our history. According to that, the inspiration for my work, usually comes from my curiosity on identifying elements from different cultures that have been appropriated for another different culture, and have been given a different meaning and appearance to the previous one, at the same time as trying to understand the reasons why this has occurred.
Looking for some colour inspiration, I have been recently looking at the early work of one of my favourite designers, Verner Panton. Although he is most famous for his Architecture, futuristic interiors and innovative use of materials, like plastic, for furniture. He developed an exciting collection of psychedelic and colourful Textiles.
I have recently discovered South African textile artist Willemien de Villiers. Her stitched work caught my attention because of the stories that she tries to tell through the materials she uses and the techniques to talk about the process of decay and disintegration, as well as the inevitable new growth and integration that follows.
Through my practice I have used techniques and processes that are specific to certain areas of design and tried to apply them into other fields to open new possibilities, most times these “experiments” result into mistakes, and some other times into “happy mistakes” that helps you to progress on your work, I find this way of working very creative and satisfactory.