Author: Pere Bruach

Looking at artists: Paper

I usually start working with paper as a medium for drawing and painting, to create collages, folding it to make 3D models… We may live in a digital world, but for creatives using paper has by no means diminished. Folded into origami and kirigami, laser-cut, layered and made into sculptures, artists can transform a humble sheet of old tree into a spectacular artwork.

Ornamental hysteria

Within the context of postmodern critical theory, the primacy of television, and the rampant culture of commodification sweeping America, artists like Bickerton endeavoured to reframe the practice of art production in response to the new, seductive mechanisms of desire at work in society.

Looking at artists: Kaarina Kaikkonen

Kaarina Kaikkonen studied at the Academy of Fine Arts between 1978 and 1983. She has become one of the leading artists of Finnish art thanks to her work in sculpture and installations using clothing. Her research is primarily distinguished by using old clothes, which are bearers of stories and anonymous memory.

Thinking about scale in textiles

In tutorials with my students we often discuss scale. Many of them are afraid of trying to work large and usually feel more comfortable painting and making on a smaller scale. In this blog post I will show you 3 exciting textile artists and their installations – pieces that exploit the possibilities of textiles on a very large scale.

Fashion, textiles, performance and protest

Looking at American Dancer/Performer/Sculptor Artist Nick Cave it is really inspiring. He is best known for his “Soundsuits”, which are exciting wearable Textile pieces, almost sculptures that look whimsical, bright and other-wordly looking. He regularly performs in the sculptures himself, dancing either before the public or for the camera.

Cross cultural influences in fashion

Wherever people come from or wherever people go, people’s culture and therefore identity is in a constant evolution, a change that looks back and forward in history. For this reason, appearance plays a very important role in that, clothing establishes a way of exteriorising our personality, our own identity and thereby our history. According to that, the inspiration for my work, usually comes from my curiosity on identifying elements from different cultures that have been appropriated for another different culture, and have been given a different meaning and appearance to the previous one, at the same time as trying to understand the reasons why this has occurred.

Collection review: Alexander McQueen Aw17

Last February I worked on the Autumn/Winter ’17 collection for Alexander McQueen, developing textiles and embroideries. The great environment and creative designers with different backgrounds, nationalities and skills make the studio space a very welcome and inspiring place to work.