The idea that pointing your camera at things that are not part of your experience can only be tourism is also problematic – if you have privilege why not use that to highlight those less fortunate?
As part of the #weareoca30 campaign we are having creative conversations with some of our tutors. Watch and listen to OCA Photography tutor Les Monaghan below answering questions from students.
So why might it benefit you to visit a degree show? All textiles students whether studying at a distance, like you, or in a ‘bricks and mortar’ university ought to take note of their contemporaries creative outcomes.
OCA tutor Guy Mankowski’s ten tips to (hopefully) improve your sentences.
Imagine if the next feedback from your tutor simply said ‘great’ or ‘I like it all, carry on’. I’m betting that you wouldn’t quite…
This blogpost is an attempt to pass on some of what I’ve learned about drawing in a gallery. It’s not the only way to go about it, and it isn’t for everyone, but I hope that after reading it you feel that it might be something you want to try.
Who is Bill Jay? Some of you may know of the name, but he is probably one of the most unappreciated writers on photography. I, for one, knew very little about him until this year. Anyone who has been tutored by me over the years has probably had the book, On Being A Photographer by Bill Jay and David Hurn recommended to them. Despite being the co-author of this much read title, I had never really comprehended who Jay was.
Join OCA tutor Neil Musson on the 1 July in London.
The prestigious exhibition, which has been curated by Neil features 55 graduates showing a wide range of textiles. The exhibits will include MA work form conceptual to craft based textiles.
Relative Poverty would be stories – based in fact, as we understand documentaries to be – and the intent was overt; to show the lives lived in as much detail as it takes to overcome the naysayers. A tall order I know.
On June 30, there will be an OCA photography study day at the Martin Parr Foundation in Bristol led by OCA tutor and Programme Leader for Moving Image Matt White.
As part of the OCA’s charitable purpose, each year our Learner Support Scheme helps new and existing students with a low household income to access our courses.
This is in the form of partial bursaries towards the course fees, dependant on household income. Applicants must not be eligible for other sources of funding, such as Student Finance.
The main problem with using magic (with a few literary exceptions) is that it has to have rules, otherwise every problem can be solved with no effort.