Join drawing and painting tutor Bryan Eccleshall on Saturday 16 June in Liverpool to see the work of Austrian Egon Schiele alongside the work of American Francesca Woodman
OCA tutor Andrew Conroy will be leading the OCA-North group’s first get together on the 2 June in Leeds at the Old Red Bus Station.
“We prepare a face to meet the faces that we meet.”
This week it’s Mental Health Awareness week, and the focus for 2018 is on stress.
This hangout is open to all students at all levels who wish to actively engage with their peers in the discussion of various topics/ questions and a place to seek feedback on work in progress whether in its infancy or almost complete. The experience adds an additional layer of learning, feedback and reflective practice, a valuable opportunity to gain insight into other students thoughts, ideas and working practice.
As an educator it is always delightful to sit back and absorb the ideas and knowledge of others. A few weeks ago I had the pleasure of attending the Textile and Place Conference co organised by Manchester School of Art and the Whitworth Gallery. It proved to be two days of textile nourishment spending time with other textile types.
“But the idea of how or why women feel invisible interests me. Is it driven by consumerism that glorifies youth and perfection? Is it that, with age, we are less sexually attractive? Or is it that one really does become invisible with age? I wanted to try to represent this invisibility.”
Knowing that distance learning can be difficult we recently reached out to you, our students, to ask the people who know best what it’s like to study with OCA and what you have found has helped you to study effectively. So many of you came back to us with great hints and tips that we’ll run a mini-series to cover all the suggestions, plus a few of our own from the staff here at OCA HQ.
Join OCA tutor Priscilla Edwards on the 2 June at the Fashion and Textile Museum in London.
Our practical session was centred on ideas generation and how to generate multiple visual experiments from a single starting point. Taking a crumpled piece of A4 paper as our subject, we first drew its form, then experimented with scale and composition.
OCASA has generously agreed to fund a small number of bursaries to enable OCA students to attend this year’s rarescale Summer School at Harlaxton Manor.
The course is an intensive week of creative music making, composition and collaboration, under the guidance of composer Michael Oliva (professor of composition at the Royal College of Music in London) and Carla Rees, OCA’s music programme leader.