May I encourage you by saying that the answer to who you are artistically – your voice – is inside you right now. The studies we undergo, are a long term process of refinement; and self-reflection is the furnace though which the artistic self is forged. Truth is forged!
I was about to start a three-year academic commitment. In applying to be part of the Open College of the Arts 2014 cohort for Europe’s first distance part time Masters in Fine Art, I had signed up to deadlines and being a student again: a proper one (not the kind who says they are a ‘student of life’ and winks in an alarming way). I’d have an NUS card, discounts in Top Shop and more two-for-one pizzas than I could ever consume . What else would I learn? What had I to gain?
What is a comfort zone and who defines them? Well, we all do; they are defined by our lack of experience or familiarity with a subject. They can be as little as trying a new technique, to exploring an alternative research pathway, and it is the discomfort and uneasiness we feel undertaking a new task that reaffirms our zones.
There is one thing that exercises my ire when watching films more than anything else and that is the pointless over use of music and sound effects. Television is the main culprit, but cinema is also in the frame. I have railed against the ghastly wash of muzak as background fill with broadcaster and fellow producers and dared them to simply live without it.
So much of the time most of us spend at the cinema is simply being entertained – and that’s a great thing, don’t get me wrong. But there comes a time when just being entertained really isn’t enough. As those of you who read my occasional blogs will know, I’m a bit of a fan of the double bill. It’s environmentally friendly – fewer journey times – but often such long evenings out are emotional, intellectual and sensory overload.