The underlying theme of this work — migration — is to be found throughout the Biennale but Dawood filters it through a lens of dystopian fiction and biology which has the effect of questioning rather than recounting stories of exodus and displacement.
These are exciting times for the OCA and being part of the OCA Student Association Committee (OCASA) puts you in a position to influence the way students can experience their studies with the college for the better. If you have the time, interest and drive you can make a real difference to the way the college works and the way a student experiences their studies.
Truman Capote described Venice as ‘like eating an entire box of chocolate liqueurs in one go’. That counts double when you’re trying to absorb a lot of art as well as admire the place. This is the third time I’ve visited the Biennale and the first time I’ve done so outside of Press Week. Frankly it was a relief to spend time looking at the work and not searching for free food and/or Prosecco.
I was about to start a three-year academic commitment. In applying to be part of the Open College of the Arts 2014 cohort for Europe’s first distance part time Masters in Fine Art, I had signed up to deadlines and being a student again: a proper one (not the kind who says they are a ‘student of life’ and winks in an alarming way). I’d have an NUS card, discounts in Top Shop and more two-for-one pizzas than I could ever consume . What else would I learn? What had I to gain?
What is a comfort zone and who defines them? Well, we all do; they are defined by our lack of experience or familiarity with a subject. They can be as little as trying a new technique, to exploring an alternative research pathway, and it is the discomfort and uneasiness we feel undertaking a new task that reaffirms our zones.