The debate about public opinion trumping critical analysis and what that means for popular culture will continue so long as there are films to watch and audiences to see them. But I say three cheers to all those who laugh at the emperor’s new clothing, leaving bad films to perform badly, losing their investors lots of money for letting self-indulgent, so-called talent loose on a film set.
I have to admit that I cannot find fault with the top ten comedies of all time as selected by all those critics. I’d probably put most if not all of them into my most loved comedies. Would you?
I am sure we all have our own list of favoured cult directors and films; the more obscure, the greater one’s cineaste credentials. I am not going to reveal mine, but I do wonder what credentials are needed for both the creator and the created.
There are hundreds of smaller galleries across the country showing a wide programme of work. They may feature local/regional artists or show touring exhibitions. It is well worth getting frequented with the galleries in your local area and subscribe to their mailing list to keep up to date.
What is it about the Hollywood movie marketing machine? Headlines are everywhere about the latest box-office busting summer hit. This time it’s Wonder Woman, as I type the largest ever grossing film by a female director. Actually one of the most successful movies by a director of any sex.
This year the festival kicked off with the all-important Cannes scandal that is meant to shock, enrage and stimulate debate. It was the inclusion of a Netflix movie that – shock, horror, was not going to have a cinema release in France.
There is one thing that exercises my ire when watching films more than anything else and that is the pointless over use of music and sound effects. Television is the main culprit, but cinema is also in the frame. I have railed against the ghastly wash of muzak as background fill with broadcaster and fellow producers and dared them to simply live without it.
I put my hands up. I love to watch films that claim to be retelling a true story.
So much of the time most of us spend at the cinema is simply being entertained – and that’s a great thing, don’t get me wrong. But there comes a time when just being entertained really isn’t enough. As those of you who read my occasional blogs will know, I’m a bit of a fan of the double bill. It’s environmentally friendly – fewer journey times – but often such long evenings out are emotional, intellectual and sensory overload.
Last February I worked on the Autumn/Winter ’17 collection for Alexander McQueen, developing textiles and embroideries. The great environment and creative designers with different backgrounds, nationalities and skills make the studio space a very welcome and inspiring place to work.
I have chosen to look at anti-ageing commodity adverts in this blog because they frequently combine science with nature and myth in a fascinating way.
– an adjective defined as ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’.