Re-approaching Photography is broadly interested in slowing down the process of looking at photographs. Making sense of a photograph is often seen as an ‘obvious’ and instinctive activity, but the course takes as its starting point the fact that even the most apparently straightforward of images can be more complex than might be assumed.
What is the role of the photographer in preserving that which is to be destroyed? How can photographers reveal stories that lie buried in buildings and in the ground? Is photography as an art form particularly adept at capturing the character of people living on the fringes of society?
Join Sharon on 23 May for a double study visit in central London.