Join OCA tutor Wendy McMurdo in Edinburgh on the 20 April.
Join OCA tutor Robert Bloomfield in London on the 20 April.
So, when a dialogue is opened up, it is opened up not just for the minute that you start it, but for a sustainable period…
If you are looking for ways to present your work digitally online there are many ways in which you can achieve this. Some of these are fairly simple and require no special software, whilst others might require more skill and access to various software programmes
Join OCA tutors Bryan Eccleshall (Painting/Drawing) and Priscilla Edwards (Textiles) for a day long workshop at Sheffield’s Millennium Galleries on the 25 May 2019.
Exhibition: Empire of Memory at ‘Temporary Contemporary’ Huddersfield, January 2019. As a photojournalist I grapple with a number of problems: can a realistic medium…
Since March is Women’s History Month it seems like a good time to celebrate the work of women writers from an earlier age. Fortuitously, as joint editor of NAWE’s Higher Education Journal, Writing in Practice No 5, I read an article by Sally O’Reilly analysing her approach to writing a historical novel, Dark Aemelia, (Myriad Editions, 2015) about Shakespeare and his relationship with Aemilia Lanyer, a contemporary poet, and a possible identity for the Dark Lady of his sonnets.
Last time we spoke about the ideas that lie behind the Drawing from the Past. This time I want to focus on what students will get from completing the course.
Amos Oz, who died in December 2018, has always been an important writer for me, not only because of his support for a two-state solution to the Israeli-Palestinian deadlock, but also because of his multi-part solutions to writing, whether it be with reference to subject matter, context, genre or viewpoint.
The OCA has a diverse student body, many with a variety of challenges. As a tutor I frequently support students with difficulties with their course as a result of their condition – demotivation is probably the biggest symptom of this I see. Spoon theory is an incredibly powerful tool that can help manage this
In a modular story, jumps across the time frame are presumably happening for a reason- to flesh out one character through a new perspective, or to offer contrasting accounts, perhaps in a cat and mouse style story. This demands that the reader conceptually organise what is going on. The way to use time in a modular story will be apparent depending on why you have chosen the modular form!
After writing about one of the most important living composers, Unsuk Chin, for International Women’s Day, I’m continuing with a post about one of the very earliest composers we know of: Hildegard von Bingen (1098-1179), and her utterly unique contribution to the early history of western music.