Having Emma and the students talk around my project, helped me consider it from other viewpoints and look at other options. This has greatly helped me to think about what I’m doing for the project and will inform the direction this will take through the rest of the degree.
Making individual page layouts is an essential part of the book planning process. Play around with the sequencing of images. This stage can take longer than you imagine. It is good to spend time with various versions of your book before completing it.
These events are part of a program of Art & Environment visits taking the context of climate change as a backdrop for explorations of art, design and ecology, environment and nature.
In our discussion about trial and error and finding the right working conditions to be able to experiment as part of the creative process, OCA student Bernadette summed it up nicely, “Lets set out to make loads of mistakes.”
If you are new to bookmaking, then experimenting with making artist style books is a fantastic learning experience. They are a great way to understand the basic structure of books, play around with different materials and methods of production.
Do you like books? Do you like tea? Then join the OCA’s new online Book Group
It’s about taking a 360degree approach to out practice to examine it and how it relates to the world now- so as to establish its currency in terms of dialogue (amongst other things).
This Old Thing is a project in which I’ll be wearing only charity shop-bought occasion dresses for two weeks. I’ll also be posting diary entries and a photo a day of me going about my normal life, doing mundane things. I want to use this to explore the various overlapping and contradictory ways we value our clothing, by being overdressed in garments which someone else threw away.
Although some of the reading was quite heavy going, we were able to pick out the salient points and find quotations that resonated with our own experience, ideas or concerns or stimulated new thinking.
When I started out, I wrote on the kitchen table. The amount of time spent clearing a space, and then tidying everything away, ate into my writing time. Not to mention wiping off the marmalade that transferred itself to every available piece of paper. I graduated from the kitchen to a shared office with my husband, which wasn’t ideal as he was a lot untidier than me. Eventually, after moving house (and husbands) I finally had an office of my own, and I began to think about what makes the ideal writing space.
I’m currently writing a collection of short fiction exploring our relationship with animals. When I tell people this, they often ask me if it’s a book for children, and it’s true that many classics of children’s literature feature animals: Kenneth Grahame’s The Wind in the Willows (1908), E.B. White’s Charlotte’s Web (1952) and Richard Adams’ Watership Down (1972) all spring to mind, and if you search online for animal stories, many of the results are stories for children. But thinking about and appreciating the lives of animals shouldn’t be something we associate only with children.
The Cut-Up technique- in which words, or fragments of ideas are combined in random combinations- has a long artistic tradition. It is popularly associated…