The main problem with using magic (with a few literary exceptions) is that it has to have rules, otherwise every problem can be solved with no effort.
OCA tutor Andrew Conroy will be leading the OCA-North group’s first get together on the 2 June in Leeds at the Old Red Bus Station.
“We prepare a face to meet the faces that we meet.”
This week it’s Mental Health Awareness week, and the focus for 2018 is on stress.
This hangout is open to all students at all levels who wish to actively engage with their peers in the discussion of various topics/ questions and a place to seek feedback on work in progress whether in its infancy or almost complete. The experience adds an additional layer of learning, feedback and reflective practice, a valuable opportunity to gain insight into other students thoughts, ideas and working practice.
I often use the analogy of the ‘scale’ of a character in teaching. In this metaphor, a good storyteller penetrates the layers of a character right from the very top of their scale (that is in terms of their surface features, or what we would see about this character if we first meet them) right down to the bottom of their scale (which is their ‘core’).
“But the idea of how or why women feel invisible interests me. Is it driven by consumerism that glorifies youth and perfection? Is it that, with age, we are less sexually attractive? Or is it that one really does become invisible with age? I wanted to try to represent this invisibility.”
Knowing that distance learning can be difficult we recently reached out to you, our students, to ask the people who know best what it’s like to study with OCA and what you have found has helped you to study effectively. So many of you came back to us with great hints and tips that we’ll run a mini-series to cover all the suggestions, plus a few of our own from the staff here at OCA HQ.
Join OCA’s Gerald Deslandes on the 23 June at Tate Modern.
Join OCA tutor Jayne Taylor on the 16 June.
As a designer from a minority and working class background, I had similar perceptions of the creative industries prior to beginning my career. I became a designer to do a job I love, and I wholeheartedly believe in many of the progressive ideals of diversity and equality that design agencies love to talk about.