Join OCA tutors Dan Robinson and Melissa Thompson in London on the 28 and 29 July for two days of lively summer workshops.
Aftermath explores the response of artists from 1918 -1940. While some wanted to return to more traditional forms of representation, others were committed to experimentation and to criticising the unequal society which they believed had caused the war.
Over the course of doing a degree, there is a lot of opportunity for life to get in the way, and finding and keeping that motivation can be difficult, particularly over the 12 years that you might be with OCA.
Join OCA tutor Dan Robinson for a summer Art and Environment study day at Yorkshire Sculpture Park as part of a student group on Sunday 26 August 2018
We are announcing today the fees which will apply in the next academic year (from 01 August 2018).
OCA are proud to increase access to the arts, as we approach the end of our 30th anniversary year I wanted to share a few of the ways we are doing that.
We have a new mission:
“To be at the forefront of student-led creative arts education through innovative open, enhanced, & supported distance learning, for an evolving society.”
The idea that pointing your camera at things that are not part of your experience can only be tourism is also problematic – if you have privilege why not use that to highlight those less fortunate?
As part of the #weareoca30 campaign we are having creative conversations with some of our tutors. Watch and listen to OCA Photography tutor Les Monaghan below answering questions from students.
Imagine if the next feedback from your tutor simply said ‘great’ or ‘I like it all, carry on’. I’m betting that you wouldn’t quite…
Who is Bill Jay? Some of you may know of the name, but he is probably one of the most unappreciated writers on photography. I, for one, knew very little about him until this year. Anyone who has been tutored by me over the years has probably had the book, On Being A Photographer by Bill Jay and David Hurn recommended to them. Despite being the co-author of this much read title, I had never really comprehended who Jay was.
At the end of April twelve students from seven different countries and two OCA bodies met in Copenhagen for a weekend to look at art and make connections.
Relative Poverty would be stories – based in fact, as we understand documentaries to be – and the intent was overt; to show the lives lived in as much detail as it takes to overcome the naysayers. A tall order I know.