Join OCA tutor, artist, and Moving Image Unit Leader (Fact + Fiction) Ruth Maclennan on Saturday 15 December at Tintype Gallery in London.
Remembrance Sunday falls this year on Armistice Day itself. This year also marks 100 years since the end of the First World War which saw an estimated 10 million people lose their lives. The conflict spawned many artistic outputs as people sought to express the horror, and the suffering of it all. Poetry in particular is exceedingly well known through the works of Siegfried Sassoon, Robert Graves, Ivor Gurney, Wilfred Owen, and David Blunden to name but a few of the more famous examples.
Writing about works of art can be tricky, especially if you’re trying to build up a body of knowledge from a standing start as well as link it — perhaps at the repeated behest of your tutor — to work that you’ve made. Finding a way to turn the experience of looking at something into meaningful text isn’t easy, but developing a way of clearly writing about the visual is an important skill to acquire when studying art.
Whether it’s photography, painting, or even interior design, if you can imagine anything you’ve made appearing on Pinterest, it has the potential to earn you some income. And that means you have the potential to become a lifestyle entrepreneur.
We all use – and therefore copy – artworks to illustrate our own research, but as we have seen taking and using these images is complicated. In this post I am using the primary source of artworks – galleries – as a case study to examine the post-digital shift in how copyright is thought of and applied.
…and as part of this we asked OCA programme leaders to share some important practitioners to point students towards and remember artists and events in the history of the African diaspora. This is list is just the beginning of a longer one we hope, please add to it in the comments below.
The next OCA North will be held on Saturday 17 November 2018 in Halifax, West Yorkshire. OCA tutor and Programme Leader Rebecca Fairley will be facilitating the day.
The question of copyright is one that has recently perplexed the student forum: a tangle of legal, moral and financial issues. Creative talent occupies quite a rare position in society, one deemed worthy of automatic protection against duplication and exploitation. In a series of blog posts I will attempt to clarify three related issues: the capture of images that may infringe copyright, the use of other people’s images as illustrations and the appropriation and altering of artworks to produce ‘new’ work.
Come and see what you can be part of!
I decided to be a night owl, because a lot of the time I’m on my phone when the football’s on and it’s just something else to do while my partner is watching that. I thought if I put that away then I could do something else more productive. I thought I’d be good at it!
Interested in attending Hull International Photography Festival this weekend 13 October? Join OCA tutor Les Monaghan.
There is a fantastic opportunity for a limited number of students to enjoy a curator hosted visit to Chloe Dewe Mathew’s In Search of Frankenstein exhibition, find out more about how a leading photography gallery works with artists, and receive feedback on their own work as part of a group portfolio review session lead by Anne McNeill and Dr Pippa Oldfield from Impressions.