Browsing Category Visual Communications

Study visit: Mark Dion – Theatre of the natural world

Join OCA tutor Clare Wilson on April 15 at Whitechapel Art Gallery, London. Mark Dion is an American conceptual artist who makes work in response to the fragility and wonder of the natural world. He travels through rainforests, muddy rivers and rubbish dumps to uncover objects, both natural and man made.

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The big 30

The Guerrilla Girls’ coolly ironic salvo not only challenged the art world powers-that-be, but also called on artists to start agitating for changes. Which brings us back to Michael Young’s original, distinctive, radical and optimistic conception of the OCA as a means of transforming people’s lives, of affecting real purposive change.

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OCA news: A note from Will Woods, Principal

This is my first post as Principal here at the Open College of the Arts and I’m very pleased to be able to share some exciting news. Last week we launched a campaign to celebrate 30 years of creativity through distance learning with OCA. OCA became part of the University for the Creative Arts, the UK’s number one specialist university for the creative arts, in 2016 and the University of the Creative Arts is coincidentally celebrating it’s 150 anniversary this year.

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Open College of the Arts and UCA celebrate 30 years of creativity for everyone

The nine-month campaign, which coincides with UCA’s 150th anniversary, will give students and alumni the opportunity to feature in films, exhibit in the #weareoca30 online gallery, and download special release online courses on subjects from photography to fine art.

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Collaborating with MoMa – a modern day fairytale

If you aren’t too busy and find yourself at a loose end in New York, the exhibition runs until the 25 January, and as an added bonus, for the same entry fee you can see the “Demoiselles d’Avignon” by Picasso, “Starry Night” by Vincent and a host of other modern masterpieces too numerous to mention, five floors above “Greenberg Contradictions 1”, Mickos is on the low floor, of course, to catch the passing trade.

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Stimulating the senses: smelling, tasting & hearing art

If we think of art only as visual – and not as something that can address all the senses – we miss fundamental parts of the way sensation in representation generates space and meaning. Multisensory, interactive experiences of art can create innovative imaginative environments, and artists, designers and researchers are increasingly looking for new ways to understand and explore the creative significance of the senses. So how are practitioners and galleries today making the most basic perceptions of sonic communication and scented air visible to the mind of their audience?

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