This post is for all students interested in climate change, activism, art & ecology and reports back on a panel discussion on Art & Ecology organised by London Creative Network (LCN) and held at Space in London.
This virtual study visit has been designed by way of a resource pack to give students adequate resources to either attend the exhibition physically or complete research online to then partake in an online discussion. This is a pilot initiative so please do sign up and give it a go!
I think for me it’s really a good way of recognising how much time is spent doing social media and how that could be better spent. I’ve spent time with my daughter re-decorating her room and it was great. All of the small bits of time add up to quite a lot over the course of a week – I’ve been amazed.
Students attending were taking OCA units in various disciplines across photography, drawing and creative writing at all levels. There was interest to share ideas and approaches across disciplines and it felt there was common ground in our various connections to nature, ecology, landscape, gardening, geology and the outdoors.
This is an important book for anyone who writes about art and its related disciplines. From Textile Foundations to Sustaining Your Practice as a textile student you are asked to comment on the work of others and your own creative output. This is a skill that does not necessarily come naturally, and many students struggle with it. It is therefore important to get some help. This book is different from the many “how to” writing books because it makes a strong case for knowing your subject and writing creatively about it.
The multi‐disciplinary aspect of the group was a great catalyst for different ways of thinking about a subject in this case the wildness of urban spaces, and was found very useful by many of the OCA participants.
As an educator I’m interested in asking questions but also listening, I see myself as someone who makes connections and points stuff out, a conduit of sorts. This thinking is established in my ongoing blog which acts as a reflective tool, supporting my thinking and making process.
#weareoca will feature updates from staff members across the month of September – I will personally be trying the ‘night owl’ (take a break from social media after 6pm each night) after an unsurprising check on my usage via an app-monitoring tool. We’d love you to join us – let us know how you fared on the quiz and share which plan you’ll be doing!
So, it was with great excitement at the recent Assessment event in Barnsley that we delved into Amardeep Kaur’s world. As a current OCA Textiles student, she has used her recent course to wholeheartedly embrace colour, pattern, motif, print and stitch techniques in order to initiate a strongly personal journey with a rich signature of bold colour and stylised design with a growing confidence shown through additional surface embellishments.
As part of the #weareoca30 campaign we are having creative conversations with some of our tutors. Watch and listen to OCA Programme Leader for Textiles, Rebecca Fairley, answering questions from students.
For a lot of people, Thursday 16 August, may have been one of the most stressful and anxious experiences of their lives. Finding out what all the hard work you’ve put into over the last two years has come to, and trying to make the best decision for the future. If you’re in that place, unsure what to do, but know you want to study creative arts, get in touch with us.
Experimentation is a very important part of the creative process. It is through trying different ways, mixing techniques, combining processes, challenging your thinking that we come up with unexpected and new outcomes, it is the way to move forward. I would like to share a few textile artists with you, that take experimentation very seriously, hoping that they inspire you.