Recently I went to the Fashion and Textiles Museum in Bermondsey in London. The museum is currently showing some exciting textiles and watercolour Drawings of Austrian Architect and Designer Josef Frank, the exhibition is on until the 7 of May.
Recently I was contemplating the distinction between origin and originality. I was reading Re-writing the Self by Mark Freeman at the time I was reviewing contemporary artist research for Major Project and how they influenced my own work. I was horrified. What I took to be my own work, the product of commitment to a process with no predetermined fixed point or predicted outcome, resulted in pieces that were strikingly similar to those out there in the world.
Through my practice I have used techniques and processes that are specific to certain areas of design and tried to apply them into other fields to open new possibilities, most times these “experiments” result into mistakes, and some other times into “happy mistakes” that helps you to progress on your work, I find this way of working very creative and satisfactory.
In this blog post I will be discussing what to look for when examining textile works, these may be art works, pieces of design or engineering. The way you look at textiles is extremely important for a number of reasons. The purposeful examination of your textile research enables you to gain a depth of understanding of individual textile pieces. This analysis is evidence of your academic thinking and a vital component to studying at degree level. Added to this the considered study of individual works assists you in developing an eye for looking at a broad range of work.