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William Kentridge and Vivienne Koorland: Conversations in letters and lines - The Open College of the Arts

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William Kentridge and Vivienne Koorland: Conversations in letters and lines thumb

William Kentridge and Vivienne Koorland: Conversations in letters and lines

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Join OCA tutor Wendy McMurdo at the Fruitmarket Gallery in Edinburgh on the 14 January.
This exhibition brings together the work of two of South Africa’s foremost visual artists, William Kentridge and Vivienne Koorland. Kentridge and Koorland come from the same generation of South African artists. Born in the 1950s, they first met as university students in the mid-1970s and have been talking about art ever since. This exhibition foregrounds a friendship of forty years and a dialogue which has been mutually enriching as the practice of each has informed that of the other.
Kentridge is known for his animated films, complex narratives and beguiling imagery drawn and redrawn in charcoal, pastel and paint. Koorland makes huge paintings that are palimpsests of found and original material, both text and imagery. The works of the two artists are very different, yet there is much they share.
The selection of works for the exhibition highlights the formal and thematic links between the work of Kentridge and Koorland, mapping their artistic friendship through shared artistic strategies and a common sense of the urgency and agency of art.
Watch BBC iplayer’s short looking at the handmade films of William Kentridge here.
To reserve your place please email enquiries@oca.ac.uk or alternatively to request a place on a study visit please click here and complete the form.


Posted by author: Joanne

2 thoughts on “William Kentridge and Vivienne Koorland: Conversations in letters and lines

  • I would love to come, but unfortunately live at the wrong end of the country.
    I recently watched an episode of imagine – ‘the Triumphs and Laments of William Kentridge’ ( still on iplayer I think). A great watch and good introduction to his work – I was particularly interested in his charcoal drawings and where he takes them, and his use of old books as a drawing material – describing it as good quality paper for drawing.

  • I too watched that program and found his animated drawings amazing as well as the use of shadows and silhouettes on a backdrop of larger than life drawings. I have recorded this in order to watch it again. I went to the above exhibition last week and was struck by the huge proportions of the work as well as their rawness.It was interesting to see the connection of his drawings/subject with the found books he used to make them on.

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