Some places are used to being film sets and one more film doesn’t affect their sense of themselves – think of Paris, New York or Venice. Small communities however can find the consequences of being used as the backdrop to a feature film disruptive and even traumatic. I have just come back from the north coast of the Kola Peninsula in Arctic Russia where I’ve been researching a new film.
Who is Bill Jay? Some of you may know of the name, but he is probably one of the most unappreciated writers on photography. I, for one, knew very little about him until this year. Anyone who has been tutored by me over the years has probably had the book, On Being A Photographer by Bill Jay and David Hurn recommended to them. Despite being the co-author of this much read title, I had never really comprehended who Jay was.
OCA Moving Image Programme Leader and tutor, Matt White, is delighted to announce that the premiere of his latest film, The Tick and The Bomb will take place at the Wales International Documentary Film Festival on the 17 April, 2018.
OCA Tutor, Helen Warburton’s latest project FEMALE FIRSTS: Women Making BAFTA History will see its first opening to the public on 14 & 15 April 2018 at the BAFTA’s headquarters, 195 Piccadilly.
My love-affair with Soviet cinema was cemented at film school when, literally frame by frame, we dissected Sergei Eisenstein’s 1925 propaganda masterpiece Battleship Potemkin. Back in the late sixties and early seventies as British cinemas fell into decline one or two flee-pits survived in some small towns, included mine, Reigate. It was there I first saw Andrei Tarkovsky, starting with his 1966 classic, Andrei Rublev, showing to an empty theatre. At film school I spent seven hours watching – and dozing – through Sergey Bondarchuk’s epic War and Peace and of course, plenty of Tarkovsky.
Maybe it’s a dumb question. Cinema always has something to say whether or not it is worth saying. Yet, over the last few months I have been becoming ever more reassured that there are a remarkable number of new films that really have something to say about the time we live in.
Ever the optimist, for me there is no substitute to the cinematic experience, I think news of the end of cinema is premature. The latest merger of two giant chains should be seen as sign of optimism that maybe the cinema experience will continue to get better and we will continue to spend more time in a darkened room amongst strangers.
The rest of the world may love our costume dramas and imagine that England still thinks it rules the waves – about that delusion I think they are right – yet I am filled with gloom that cinema continues to churn out this stuff.
Join OCAs Ruth Maclennan at Manchester HOME on the 16 December.
Her genius is that she sucks you into the narrative. It’s an over-indulgence of cinematic culture that I cannot have too much of. Following The Party, there is a royal flush of quality independent cinema to look forward to in the next week or two.
His observation that it is now the domain of streamed multi-episodic drama where character development reigns supreme is compelling. In his view the decline of modern Hollywood is driven by risk-aversion, but this demise is actually something that has been going on for a very long time.
Recently I read a very good article in the FT by Jason Solomons which starts by asking the question, ‘When was the last new movement in British Cinema… heralding a flurry of new directors and new styles?’