Join OCA tutors Derek Trillo and Helen Warburton in Derby 15-17 March 2019. Spread over three days you could choose one or two days, but would get more from the weekend and a greater sense of community and cohesion with fellow students the more days you can attend.
Join OCA tutor and Programme Leader Emma Drye in Halifax on the 30 March.
February is LGBT History Month – a national initiative focused on recognising lesbian, gay, bisexual and transgender people, their lives and experiences, and promoting equality. Marking the 50th anniversary of the Stonewall Riots and the birth of the modern Pride movement, this year a number of galleries and museums, from London to Liverpool and Birmingham to Brighton, are running talks, exhibitions, film screenings and workshops to highlight previously hidden or unknown LGBT histories in their collections.
I wanted to bring together a short summary of the most recent book in the Drawing series – Vitamin D2, focusing particularly on some of the artists featured whose drawing practices it might be interesting and useful for students to look at.
Join drawing and painting tutor Bryan Eccleshall at Tate Modern on Saturday March 23 to see the Pierre Bonnard retrospective ‘The Colour of Memory’.
Through my BA, I have personally observed how within art, the physical act of creating, we can find our own version of OK. This was not something I set out to discover or had any prior inkling of; yet it is a topic I now feel so strongly about, that it has become deeply embedded within my practice.
Are you interested in the potential for creative disciplines to come together in exciting new ways? Have you ever considered using sound or music in your work, or perhaps created visual pieces that resonate with music in some way? Or perhaps you are a composer, who has thought about how your compositions might be informed and extended through other approaches.
Anyone who has seen me attempt anything beyond a stickman knows that drawing and painting are not amongst my talents. Fortunately, our tutors know their stuff…
Join OCA tutor Jayne Taylor on the 12 January at the Wellcome Collection.
It’s something to take your time over, both in appreciating it, and developing your own art. Because, Fine Art is experimentation, how far can you push something, how far can you take it until it meets what you want it to do. It’s only through experimentation and trying new things and combinations that you’ll get there.
Our group comprised textiles, painting/drawing and photography students at all three levels. This, in itself, was an important factor contributing to open and critical discussion. Added to this was Rebecca’s excellent talk on her own practice and formation as an artist and tutor. Following this she led a discussion on work that several of us had brought along.
In 2005 an 8 year old girl was told by a security guard to stop sketching Picasso and Matisse paintings as ‘they’re copyrighted’ (Jardin 2005). So what is a copy and how much new, creative work is required to term the work as ‘influenced by’, or an ‘homage’? Is her version in a different medium a copy?