Sketchbooks are personal and can reveal much about how a student goes about the business of discovering and learning. I like to see books that are bursting with work as it is generally evidence of a submission full of speculation and discovery.
If you aren’t too busy and find yourself at a loose end in New York, the exhibition runs until the 25 January, and as an added bonus, for the same entry fee you can see the “Demoiselles d’Avignon” by Picasso, “Starry Night” by Vincent and a host of other modern masterpieces too numerous to mention, five floors above “Greenberg Contradictions 1”, Mickos is on the low floor, of course, to catch the passing trade.
Through my writers’ group, I’ve met far too many talented writers who are frozen with fear when it comes to submitting their work for publication. I can understand why; I went through it myself. For years I would whip up tsunami-sized excuses as to why my work wasn’t good enough to be inflicted on others. Then something happened: I finally let go of my fears and insecurities, and my work found its way into the inbox of a publisher.
In 2014 Erika was sentenced to 6 years for breaking the law for which she served 3 years in custody. She wanted to document her experience for posterity; the way that she chose to do this was to produce an epic visual Postcard Diary that consists of at least 1400 drawings, one drawing every day from 3 months into her 6 months on bail prior to sentencing, during the whole period of her 3 year incarceration and also following her release.
On a warm July morning, twenty one musicians descended on Harlaxton manor for five days of flute playing and composing at the annual rarescale summer school. An eclectic bunch, the flautists ranged from talented amateurs to music college graduates embarking on performing careers, and the composition group consisted of undergraduate music students and early career composers.