Join OCA tutors Bryan Eccleshall (Painting/Drawing) and Priscilla Edwards (Textiles) for a day long workshop at Sheffield’s Millennium Galleries on the 25 May 2019.
In this article you will find four exciting textiles artists where colour, form and composition take an important place within their work.
In response to the high demand and the positive feedback received I will be rerunning the critical thinking skills workshops for textile students again this spring.
Join OCA tutor Priscilla Edwards on 2 March in London.
Collage has been used as an artform for many years but when students approach it during their studies it can feel like something children do so has little value or skill. However there is a surprising amount of dexterity and technical skill required working with small pieces of sticky paper. In textiles collage is used primarily as a form of drawing either to develop ideas or plan designs so it is worth mastering.
Through my BA, I have personally observed how within art, the physical act of creating, we can find our own version of OK. This was not something I set out to discover or had any prior inkling of; yet it is a topic I now feel so strongly about, that it has become deeply embedded within my practice.
I received the work from Heidi Sumner a Foundation Textile student a few months ago. I wanted to share her creative work with you…
Develop your textiles arts practice with a wide range of media and techniques and build on traditional skills in textiles, as these will form a solid foundation for further development throughout the degree.
Our group comprised textiles, painting/drawing and photography students at all three levels. This, in itself, was an important factor contributing to open and critical discussion. Added to this was Rebecca’s excellent talk on her own practice and formation as an artist and tutor. Following this she led a discussion on work that several of us had brought along.
The overall aim of this weekend is to bring together textiles students from across the UK and further afield to focus on practice, critical thinking, a critical evaluation and the impact on the standards of student work. Join OCA tutors Rebecca Fairley and Neil Musson in Bristol on the 9 and 10.
Often when thinking about textiles utility comes to mind. This connotation is largely attributed the medium’s rich history across a variety of cultures, from decorative medieval unicorn tapestries woven from wool and silk thread; to the Kente fabrics of 17th century Ashanti weavers today in Ghana; to Peruvian woven rugs and tapestries of the Quechua tradition. An integral part of community and daily life, textile fabrication has provided people with shelter, costuming, decoration, protection comfort… and has also been used to document and express narrative.
Thea Anning’s creative journey finding hidden gems through ‘Everyday’ experiences. The Tate Modern has just launched the first major exhibition of Anni Albers’ life…