Posts tagged Textiles

Student work: Accidental lessons – sourced through higher learning

Through my BA, I have personally observed how within art, the physical act of creating, we can find our own version of OK. This was not something I set out to discover or had any prior inkling of; yet it is a topic I now feel so strongly about, that it has become deeply embedded within my practice.

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Study event review: Halifax OCA-North Meeting

Our group comprised textiles, painting/drawing and photography students at all three levels. This, in itself, was an important factor contributing to open and critical discussion. Added to this was Rebecca’s excellent talk on her own practice and formation as an artist and tutor. Following this she led a discussion on work that several of us had brought along.

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Using traditional textiles today

Often when thinking about textiles utility comes to mind. This connotation is largely attributed the medium’s rich history across a variety of cultures, from decorative medieval unicorn tapestries woven from wool and silk thread; to the Kente fabrics of 17th century Ashanti weavers today in Ghana; to Peruvian woven rugs and tapestries of the Quechua tradition. An integral part of community and daily life, textile fabrication has provided people with shelter, costuming, decoration, protection comfort… and has also been used to document and express narrative.

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Critical thinking skills workshops for OCA textiles students

Critical thinking skills are vital if you are going to be successful in your undergraduate studies but organising your thoughts in this way can feel confusing and mysterious. From the conversations I have had with many of you on the textile’s forum and with my individual students it is clear that lots of you desire more support and guidance. What I also picked up is that there is a feeling you need a safe place to ask questions and voice your concerns. Therefore, during this coming November, I will be leading 3 online study workshops for textiles students based around the critical thinking skills required for degree level study.

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More is more, the rest is a bore – and the wonderful world of Amardeep Kaur

So, it was with great excitement at the recent Assessment event in Barnsley that we delved into Amardeep Kaur’s world. As a current OCA Textiles student, she has used her recent course to wholeheartedly embrace colour, pattern, motif, print and stitch techniques in order to initiate a strongly personal journey with a rich signature of bold colour and stylised design with a growing confidence shown through additional surface embellishments.

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Experimenting to move forward

Experimentation is a very important part of the creative process. It is through trying different ways, mixing techniques, combining processes, challenging your thinking that we come up with unexpected and new outcomes, it is the way to move forward. I would like to share a few textile artists with you, that take experimentation very seriously, hoping that they inspire you.

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